The most awkward Awkward moments from Say No to the Dress
Entertainment Weekly (blog)-Oct. 26, 2015
MTV's Awkward lives up to its name — and each week, EW will chronicle the comedy-drama's most uncomfortable moments. This time, we're looking at season ...
From punter to pop princess! Kylie Minogue rocks slinky black ...
Daily Mail-Mar. 21, 2015
From punter to pop princess! Kylie Minogue rocks slinky black maxi-dress for evening drinks... then later takes to the stage in her iconic red showgirl frock.
Bjork in her iconic swan dress at the Academy Awards in 2001
Daily Mail-Jun. 5, 2015
Bjork in her iconic swan dress at the Academy Awards in 2001. Loaded: 0 ... Bjork steps out in New York City in sky blue mesh dress and white thigh-high boots.
How Much?! Top 5 Most Expensive Celebrity Clothing ...
Popdust-Jul. 27, 2015
The iconic jacket worn by The King Of Pop, Michael Jackson made it's first ... Audrey Hepburn's little black dress she wore as Holly Golightly in the iconic film ...
1 comment:
Characteristic
the classical analysis of the duality "the name -- the verb" have
now replaced by a more complicated disposition: verbal value
you have roots, which, taking the end of the different types, you can
thus to produce either praguerie verbs, or sloped
nouns. Thus, verbs (and personal
pronouns) be the primordial basis on which
can only continue to develop language. "Verb and personal
pronouns, apparently, are the true levers
language"<$FT. Grimm. L'origine du language, p. 39.>.
Research BOPP was important not only for
internal analysis of the language, but also to determine the entity
language in General. Language-this is not a system of representations capable
to dismember and to re-connect other views: by
sustainable the roots of the language that refers to actions, States,
the will; is not primarily what you see, but rather that
what you are doing or experiencing, and if ultimately the language and
contains direct references to things only so far as it
these things are the result, object, instrument of action. Names
not so much dissect the complex picture of performance, how much
divide and record the process of action. The language of "rooted"
not on the side of the perceived things, but on the side of the current
subject. The very origin of language, perhaps you should look for in
the will and power and not in the memory, reproducing the former view.
Saying that because act, and not just because, learning, learn.
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