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You can read the inaugural speech of Heidegger in his joining the post of rector of the University in Freiburger Breisgau on 27 may 1933120 like a bad episode of legitimation. Speculative science has become a questioning of being. It was the "destiny" of the German people, called "people of the spirit in its historical Commission." This subject is designed in three ministries: labour, military and academic. The University provides the meta-of all three offices, i.e. science Legitimization, thus, there is, as in idealism, with the help of metadiscourse called science and having the ontological aspiration. But he is inquiring, not totalitaruli character. On the other hand, the University is a place where you pronounce metadiscourse - owes its science to the people, a "historic mission" of which is its implementation in the work, struggle and knowledge. The people-the subject has as a vocation is not the liberation of humanity, and the embodiment of its "truly of the spiritual world", which is "a powerful force of the deepest preservation of all of his land and blood energies". This insert from the story of race and labor in the story of the spirit with the goal to legitimize knowledge and its institutions is doubly unfortunate: theoretically meaningless, it still was sufficient to cause in a certain political situation, a shattering resonance.
In a large round, circling the perimeter of the Studio, starting itthe eyes of the artist, his palette and stilled the hands to completepaintings, picture born and completed and then re-dissolvedin a stream of light; the cycle was complete. On the contrary, a line disjoint depthpainting, incomplete, all of them missing part of their trajectory. This gapdue to the absence of the king is the artist's reception.However, this technique conceals and indicates the expectation that shouldto materialize immediately: the expectation of the artist and the viewer when theyconsidering or link a picture. This was probably due to the fact thatthis picture, like any picture, the essence of which she soto say, he reveals the deep invisibility of the visible is associated with invisibilityseeing -- and this in spite of mirrors, reflections, imitations, and portraits.Time is branded and consistent with the shape; but the double relation of the image to its model -- the sovereign, to his??????6 as to the one to whom it is presented, is of necessityinterrupted. It never can be present without a trace, even in thisthe image where the process of its creation would be a spectacle. In the deepthe plan of the canvas, as if giving it a third dimension and projecting itthe canvas forward, uncomplicated bliss image forever deniedthe opportunity to present in full light as representing the master, andportrayed the Emperor.
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