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K. Muller, commenting on Luhmann, wrote: "In advanced industrial societies legal-rational legitimation are replaced technocratically legitimation, which does not give any value (significance) nor the beliefs of the citizens, nor the morality," (Mueller CL. The Politics of Communication. Loc.cit. P. 135). Cm. also the bibliography in German on issues of technocracy in the book-
However, maybe it is time to say, whose image occurs inthe depth of the mirror and what the artist sees in front of the picture. Maybeit would be better once for all to establish the identity of those present orspecified characters in order not to get lost indefinitely inthese unsteady, a few abstract symbols always able toa source of ambiguity and duality: "artist", "characters","model", "viewers" images". Instead of endlessly trying to uselanguage inevitably inadequate it might be enough to say thatpainted by Velasquez, that in this painting he depicted himself in hisworkshop or in one of the salons the Escorial at work on the picturetwo persons came to see the Infanta Margarita, surrounded bybenami, the visiting maids, courtiers, and dwarfs, and that the names of all these personsconsidered to be well known: according to the tradition, here are DonaMaria Agustin Sarmiento, then Nieto, and in the foreground the clown -- ItalianNicolasa Pertusato. Suffice it to add that two important persons, employeesa model for the artist, not visible, at least directly, although theyyou can see in the mirror: it is definitely the king Philip IV and his wifeMarianne.
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