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The presentation of proof, in principle, is only part of the argument, which itself is intended to obtain the approval of the recipients of a scientific message, and passes under the control of another language game, where the goal is not truth, and efficiency, i.e. better value "input/output". The state and/or the company leaving the idealistic or humanistic legitimizing narrative to justify the new goal: in a speech today bailiffs loans only one goal inspires confidence, is a performance. Scientists, technicians, and equipment do not buy in order to know the truth, but to increase performance.
These names would become useful guidance would helpto avoid ambiguous designations; in any case, they would have told uswhere to watch the artist, and with him-and in the majority of depicted individuals. However,the relation of language to painting is an infinite relation. It is notthe imperfection of speech, and not in the insufficiency of her face visible,she tried in vain to fill. They are irreducible to each other:no matter how much we call visible, it never fit in the above; andno matter how shown through images, metaphors, comparisons thatexpressed, the place where bloom these figures is notspace, open to the eye, and the space definethe syntactic sequence. But the proper name in this game no morewhat's the trick: it allows you to point the finger, that is imperceptible to go fromspace speaking to the space of viewing, that is, the easy wayto close them, as if they were adequate. But if we want to leavean open attitude and language visible and to speak, not assuming themadequacy, and on the basis of their incompatibility, while remaining as close as possible andto one and to another, that need to discard their own names and to holdin the infinity of the task. So, perhaps, it is throughthis grey, anonymous, always meticulous and repetitive in forcehis excessive breadth of the language, painting little by little, will ignite your light. Therefore, it is necessary to pretend that we don't know whatreflected in the mirror, and explore this is reflected in the very source of hisexistence.
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