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It was one of the conditions that vydvinul of Lazarsfeld when he agreed to the creation of the Center for the study of mass communications in Princeton in 1937. The situation was tense. Radiopromyshlennost refused to invest in the project. They said that Lazarsfeld starts things but does not finish. He Lazarsfeld said Morrison: "/ usually put thinks together and hoped they worked".Morrison D. The Beginninig of Modern Mass Communication Research // Archives europeennes de sociologie.Vol.XIX.N?2,1978. P. 347-359.
But this openness does not mean open in the backgrounddoor, and to the picture in full width, and looks a distant stranger.The frieze, occupying the first and second pattern shows, includingthe artist's paintings, eight characters. Five of them, slightly bowed,turning or inclining the head, looking perpendicular to the planepattern direction. The little Infanta is dressed inQuinceanera dresses gray and pink colors. The Princess turns her head tothe right side of the picture, while her Breasts and big ruffle dressesfacing slightly to the left, however, look with confidence at the viewer,in front of the picture. The median, dividing the canvas into two parts,passes between the eyes of a child. His face separates the third part from the totalthe height of the picture. Thus, there is no doubt that it is herefocuses the main theme of the songs here -- the object of thispainting. In order to confirm and to reiterate, the artistused traditional reception: the side of the Central figure from postedanother, which is standing on ???????6 looks at her. As a donator *1),inclined to prayer, like an angel greeting the virgin Mary, the governesson her knees stretching out her hands to the Princess. Her face emerges a clear profile at the height of the face of the child.The duenna looks at the Princess, and only onher.
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