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slightly bowed over her, though her eyes, of course, looking forwardthere where already watching the artist and the Princess. Finally, two groups of twocharacters: one away and the other consisting of dwarfs, -- reallythe foreground. In each pair one of the characters looking right beforemyself and the other -- right or left. Due to its location and sizethese two groups correspond to each other and form a doublet: rearlocated court (located on the left side, facing to the right), in front of- the dwarfs (the boy standing sideways at the right edge, looks inside the picture).All these people placed in a similar manner and can depending onareas of attention drawn to the picture, or from a selected pointstarting to form two figures. One of them is a big letter X: topleft point-the eye of the artist, and the right-eye of the court, at the bottom leftpoint coincides with the corner of the canvas shown its reverse side(more precisely-with the support of the easel), and the right-with the dwarf (his foot inthe Shoe on the back of the dog). At the intersection of these lines, in the center of the X-eyesInfanta. Another figure -- rather wide arc: its two edges -- remote andhigh ends -- defined by the artist on the left and the rightcourt, and its binding, are much more similar to the first plan, coincides withthe Princess ' face and looking at it through the eyes of the duenna. This flexible linedraws a kind of shell enclosing and releasing in the middlepicture the location of the mirror.
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