Looks familiar: Kristina Rihanoff dresses up as Marilyn ...
Daily Mail-Nov. 17, 2011
Previously unseen dress patterns, rare costume test shots, original prototypes and photographs of the actress wearing a number of iconic dresses is to be ...
Strictly ballroom: Favourite frocks from the series are floor ...
Daily Mail-Dec. 15, 2011
Soft, pastel tones also proved more popular than the bright colours worn during Latin dances, with Alesha Dixon and Kara Tointon's peach dresses - which they ...
Plane stupid: World's only female Spitfire pilot nearly ...
Daily Mail-Jun. 25, 2011
Carolyn Grace, 58, flies the iconic aircraft to the delight of war veterans and history buffs to shows all over the country from her base in Rendlesham, Suffolk.
To Catch a Thief: Grace Kelly in Blue Chiffon
Clothes on Film-Mar. 1, 2011
Number one is an ice blue chiffon gown worn for her first face-to-face encounter with apparently retired cat burglar John 'The Cat' Robie, played by then fifty year ...
2 comments:
In the modern society and culture - postindustrial society and postmodern culture121 - the question of legitimation of knowledge is put in other terms. A great story has lost its credibility, regardless of the method of unification, which it was intended: a speculative narrative or a story about the release.
In decline stories, you can see the result of the rapid technical and technological growth after the Second world war, have borne the emphasis from the objectives of the action the means to achieve it, and can be the result of activation of foreign economic relations of liberal capitalism, which developed after peri-
Perhaps this painting velázquez is like a picture
classic image, along with the definition of
space which it opens. Indeed, it is here committed
to present itself in all its elements, together with their images,
views, which it appears to individuals, which it makes visible
gestures that give rise to it. But here, in this dispersion,
which it collects, and at the same time puts in order, all points with
all immutability in a significant gap -- on the necessary disappearance
what justifies the picture: of whom it seems, and it is
whose eyes it is only a resemblance. Was taken in the subject itself, which
is one and the same. And image, freed finally from this
chilling its relations, can be referenced as a clean image.
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