Friday, December 6, 2019

Story image for bridesmaids from HuffPost

17 Gorgeous Photos Of Bridesmaids Rocking The Velvet ...

HuffPost-Nov. 18, 2019
We've got a soft spot these days for velvet bridesmaid dresses. And after seeing these beautiful bridal parties pull off the trend, we have a feeling you will too.
Story image for bridesmaids from EW.com

Best of the Decade: How Bridesmaids broke the mold for ...

EW.com-Nov. 26, 2019
(Catch up on our list so far, which includes the MCU's big Snap and Lin-Manuel Miranda's history-making hit.) Here, a toast to Bridesmaids and its ladies who ...
Story image for bridesmaids from The Sun

Bonkers neon bridesmaid dresses get slammed by people ...

The Sun-Nov. 6, 2019
While the bride wore a white dress, the wedding seemed to have a retro theme, with the three bridesmaids dressed in various different prints, including colourful ...
Story image for bridesmaids from Daily Mail

Bride photoshops 'badly behaved' bridesmaid OUT of her ...

Daily Mail-Jun. 11, 2019
But one newlywed, from Oregon, took the extraordinary step of deleting one of her bridesmaids from her wedding pictures after she nearly ruined her big day.

2 comments:

Pearl Necklace said...

However, this hypothesis about the institution is still too "heavy": it comes from "real" vision of what instituion. Today we know that the border, which puts the institution of the potential of the language in the "case" was never installed (even when formally it is available63).


In this sense, it follows, we think, to consider modern institutions of knowledge.

Anonymous said...

"what is given and what seems to
untested Explorer content, it is permissible in the more complex
a system of forms and juxtaposition of forms, the deeper he delves into this content.
This is the progress of science, allowing each content in the system of forms and each
"subject" -- in the system of relations, is the progress of poetry. The measure of content,
filling in this form, there is a definition of the level to which it has penetrated our
the analysis" (P. 425).
Bringing this view to its logical conclusion, G. Shpet , even said
the following: "Poetics -- not aesthetics and not part and not the head of aesthetics. In
not all are aware. Poetics as little decide
aesthetic problems, like syntax and logic. Poetics is
discipline with technical. (...) The poetics needs to be teaching on
sensual and internal forms (poetic) words (language), regardless of
also, aesthetic or not" (P. 410). It's not really accepted point
of view, but it puts points over "i". She continues in-depth
understanding of the structure of words, peculiar to G. Shpet.
Speaking about the character of G. Shpet separates it from allegory.
"Allegory -- rational, "smyslenno", ploskonka. Symbol --
creatively-prorochestvo and endless-endless. Allegory -- teosofia,
character -- mysterious. At least completely arbitrary, a symbol is a sign in the sense
"words" as a sign of other words, right (or metaphorically) calling a "thing"
(process characteristic effects). Therefore, the symbol is sui generis
suppositio. Therefore, the word, from the other end, is the prototype of all art.
So is its structure -- exhaustively complete and is the type of all
the aesthetic of the subject.