Thursday, December 5, 2019

Story image for iconic gown from People Magazine

Kerry Washington on Her Mesh Emmys Dress: 'I Feel the ...

People Magazine-Sep. 20, 2015
The actress wore an off-the-runway Marc Jacobs gown made entirely of mesh for her walk down the red carpet at the 67th Primetime Emmy Awards on Sunday ...
Story image for iconic gown from Irish Independent

How to get Kate Middleton's wedding gown - Louise Kennedy ...

Irish Independent-Feb. 21, 2015
How to get Kate Middleton's wedding gown - Louise Kennedy showcases bridal ... the answer for brides inspired by Kate Middleton's iconic royal wedding gown.
Story image for iconic gown from (blog)

An Ode to Lauren Bacall's Iconic Style (blog)-Mar. 4, 2015
And even before the iconic cover, Bacall modeled on the pages of BAZAAR, ... a Dior gown with gorgeous ostrich plumes and Norell's infamous Subway coat, ...
Story image for iconic gown from

Queen Elizabeth and Prince Philip's wedding video from 1947 ... 25, 2015
The dress was designed by Britain's Norman Hartnell, who was known for his ... and were able to witness the iconic moment when Elizabeth, who was 21 at the ...

1 comment:

Pearl Necklace said...

celestial and exhaustive calculation can be done only by God: he
corresponds to a different count with each item
the microcosm relates to the element of the macrocosm-with the only difference,
this counting connects the earth with its caves and mines:
it harmonizes things, born in human hands, and
hidden since the creation of the world treasures. Signs of similarity because
they guide the knowledge, appeal to the perfection of the sky: signs
exchange, because they satisfy desire, are based on black,
dangerous and cursed the flickering metal. This flickering domuslegno,
because it is in the depths of the earth, who sings at the end
night: it is rooted in her as a broken promise of happiness, and
since the metal is similar to the sun, so far the knowledge of all these
perilous treasures is at the same time, knowledge of the world. So
reflections on wealth lead to the great cosmogonic
scheme like deep knowledge of the world order
should, on the contrary, lead to the knowledge of the secrets of metals and the possession of
resources. We see which compact network necessities
contact in the sixteenth century the parts of knowledge; see
cosmology of characters in the end duplicates and justifies
arguments about prices and money as it allows you to develop
theoretical and practical speculation of metals, as it
connects the promises of desire and the promise of knowledge, in the same way
resonate and converge among themselves in a secret affinity metals
and stars. On the frontiers of knowledge, where it appears as almost
divine omnipotence, and combine together three great
functions -- the functions of the Basileus, the philosopher and the Metallurgist. But as it
knowledge is given only in fragments and only in the sensitive insight
divination and divine knowledge or the knowledge that
it is possible to achieve "with some high Observatory" and which
for a special and partial relations of things, and metals, desires, and
prices, not the person. Rarely and as if by chance this knowledge is given
minds, able to wait, that is merchants. What in the infinite
the game of similarities and characters belonged to the prophets, the same
belongs to merchants in the always open play exchanges and money.
"Being at the bottom, we open a few of those around us
things, giving the price according to the need felt in every place and in
every time. Merchants in this business are sophisticated people, and
therefore, they perfectly know the value of things,"<$FD a v a n z a t t i.
Lecon sur les monnaies, p. 231).>.