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A. Hildebrant binds the form with action: "artthe image, if it should be strong and natural, should learn fromthe overall completeness of the phenomena, and despite the inherent multiplicity, thesebasic impact that makes for us the living the General concept of the form"(Hildebrant A. The problem shape in the visual arts. -- M.1914. P. 21). In terms of impacts, he introduces him into the very definition ofart
In his article "Something about the value of size in architecture"A. Hildebrant pure maps only semiotically different languages. "Inpoetry -- at least, in narrative poetry, -- the speech as puredomestic product, generally only takes us into the world of the present. (...)It is best however, to compare the architecture with drama, where the process acts assomething valid; but there is still the difference that thethe stage action is distinguished from the rest of reality and isyourselves a separate independent world, while architectural buildingstanding among the real situation, as part of the same reality" (Thesame. P.147).
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