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Subsequently, he refused to do it: the film industryintroduced species and the comic elements in his dramatic narrative. Allgenerally called "Thriller". Elizabethan drama in its timedid this evolution" (Aksenov A. I., op. CIT. Op. p. 84). We will add thatfor this model to develop a modern political advertising. The viewerthe natural way dictates also the plot structure (here I. Aksenov is onthe path then continued by Umberto Eco in his study of the influence ofreaders at the mass literature): "the plot of the comic parts, too, appeared onthe line of least resistance, expected from the most backward of the viewer,which was intended. So the audience stands in their tastes andrequirements. He is a traditionalist scenic form. The plot should betraditionally-comic" (Ibid.P. 89). Eugene Bertels talking about the relationship of art with the termstime and space within which their development occurs. Musicthis respect, the most free. The painting is imbued with local conditions."The viewer will understand the painting only if he is familiar with the era anda country to which it relates. (...) Finally, the theatre most closely associatedwith the environment where it develops. For full penetration in the sensetheatrical activity is not enough to know the language, you need knowledge of life,they need to feel ??1??? life of the people" (Bertels E.Persiantheatre. -- 1924. Pp. 7-8). Art history of the period in General was in a unique positionsince Russia had not only their scientific results, andrelied on the wealth of available approaches. In pre-revolutionary time wastransferred most significant works of formal direction from otherscountries. This Adolf Hildebrand and Henry Woelflin. They askneed a point of reference, the level to start from which is had whenwork.
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