Tuesday, November 19, 2019

Story image for vintage jewelry from The New York Times

The Designer Bringing Whimsy, and Magic Mushrooms, to ...

The New York Times-Aug. 7, 2019
Winston, 38, traces her passion for fine jewelry to her childhood visits to the vintage markets and gem fairs outside of Washington, D.C. On one particularly ...
Story image for vintage jewelry from Downtown Bellevue Network

WeWork Bellevue Startup Story: Michellia Creates Vintage ...

Downtown Bellevue Network-Aug. 23, 2019
Michellia™ is a premium fine jewelry brand committed to celebrating the unique beauty of every love story with non-traditional jewelry designs. Each piece ...
Story image for vintage jewelry from HOLA! USA (press release)

Eva Mendes reminisces on wearing her abuela's jewelry and ...

HOLA! USA (press release)-Sep. 9, 2019
This vintage dress cost me like $15,” she wrote. “My own bag and jewelry. I wasn't doing a 'red carpet pose.' No I don't long for that time, I just liked the simplicity ...
Story image for vintage jewelry from Telegraph.co.uk

Vintage treasures and dazzling contemporary creations: the ...

Telegraph.co.uk-May 14, 2019
As expected, the first year saw lots of visitors from the trade coming along to see what two of their own - antique jewellery and gemstone dealers Thomas ...

1 comment:

Pearl Necklace said...

Subsequently, he refused to do it: the film industry
introduced species and the comic elements in his dramatic narrative. All
generally called "Thriller". Elizabethan drama in its time
did this evolution" (Aksenov A. I., op. CIT. Op. p. 84). We will add that
for this model to develop a modern political advertising. The viewer
the natural way dictates also the plot structure (here I. Aksenov is on
the path then continued by Umberto Eco in his study of the influence of
readers at the mass literature): "the plot of the comic parts, too, appeared on
the line of least resistance, expected from the most backward of the viewer,
which was intended. So the audience stands in their tastes and
requirements. He is a traditionalist scenic form. The plot should be
traditionally-comic" (Ibid.P. 89).
Eugene Bertels talking about the relationship of art with the terms
time and space within which their development occurs. Music
this respect, the most free. The painting is imbued with local conditions.
"The viewer will understand the painting only if he is familiar with the era and
a country to which it relates. (...) Finally, the theatre most closely associated
with the environment where it develops. For full penetration in the sense
theatrical activity is not enough to know the language, you need knowledge of life,
they need to feel ??1??? life of the people" (Bertels E.Persian
theatre. -- 1924. Pp. 7-8).
Art history of the period in General was in a unique position
since Russia had not only their scientific results, and
relied on the wealth of available approaches. In pre-revolutionary time was
transferred most significant works of formal direction from others
countries. This Adolf Hildebrand and Henry Woelflin. They ask
need a point of reference, the level to start from which is had when