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The distinction to which I just pointed out, he knew Julien green.He denounced Luteranska a mixture of temptation and moral factfall. However, reading some pages of the first volume of a remarkable"Diary" of the green, I wondered whether at times the artiststhe most sensitive to this problem and are willing to admit complicity with hischaracters, to be more on guard against the old illusion of Luther, inthe light of which all disordered excitement of the senses regardless of the forcealways spontaneous and not sanctioned by the mind - set assin. Note also that the highest form of knowledge by inclination or byaffinity provided the special kind of presence of one another, whichis actually love. If the novelist is the God of his characters, why he doesn'twould love them redeeming love? Tell (although it is contrarycommon sense, but it is a fact) that Bernanos could not not to pray for theircharacters. When such love novelist experiences to even the mostrepulsive his characters, it is then he attains them, according to inclination,by the way, most true of all possible, and the risk of being infected fromhis creatures, although all is still there for you, but at leastever, least.
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