Saturday, November 23, 2019

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Royal wedding: Tatiana Santo Domingo's bridal look 1, 2013
She is usually seen in their creations, just two days ago, she chose crimson Missoni coloured dip-dye dress for her pre-wedding dinner, which took place in ...
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Prince Charles expected to be an involved granddad to royal ... 16, 2013
In one of the most endearing moments of the royal wedding, Charles lifted up bridesmaid and step-granddaughter Eliza Lopes on the balcony of Buckingham ...
Alison Jackson: Is that you, Baby Cambridge? 15, 2013
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Royal wedding fever hits Sweden

The 19, 2013
The Swedish royal family gathered in the Royal Chapel in Stockholm on Sunday for the publication of the banns of marriage ahead of the wedding of Princess ...
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Prince Harry presented with Coronation goblet after unveiling ... 4, 2013
Harry, 27, was handed a Coronation goblet after he unveiled a plaque by Westminster Abbey which commemorated the Royal wedding of William and Kate.

1 comment:

Pearl Necklace said...

A kind of internal imitation of their characters,
inherent in writers itself only feeds the creative intuition. How would
deep was this internal simulation, it remains
instrument intangible knowledge: it should not be any hidden
the partnership and complicity with the characters, savoring depravity
imaginary creatures, these are creations of the author's spirit.
Consider one of the characters of Dostoevsky, the closest to the spirit
the author namely Stavrogin from "the Devils." Dostoevsky "does not provide him with
no alibi, he leads him to his miserable suicide with a severity,
clairvoyance and ruthless logic. And yet, he loves him, for he himself
or at least the shadow side of himself. But just here only
better, in my opinion, manifests the superiority of the genius of Dostoevsky as
novelist. It work like a living universe, lives in it, your
kind metaphysical pathos for living beings there are some
way in the same attitude that created them thought that the people to God. It
love your characters, probably softer than any other artist, and
investing in them more than anyone else; at the same time he closely
them scrutinizes and judges them without mercy"*.
Maybe, perhaps, happen that at some stage intentional
the connection to the character in the process of its understanding will turn it real
the influence on the author and that the character will infect author, awakening in him already
the plan of existence, in the form of any involuntary movements or
motives, the same fire that has engulfed a character. But in a similar position
is a good actor, which is always to some extent exposed
danger of becoming the prey of the hero, embody them on stage. All this, however,
applies only to the field of random and only to those inevitable temptations
associated with any calling.