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Neither in our knowledge nor in our thinking not evenmemories of this existence, nothing left, except maybeliterature, and in her memory can be seen rather asa hint as something indirect, not direct. We can say,in a sense, "literature", in the form in which ithas been designated on the threshold of the modern era, revealsthe resurrection of the living essence of the language where not expected. In the seventeenth andEighteenth centuries the existence of the language itself, its long-standingthe strength of the thing, entered into the world, dissolve into the operation ofpresentation; all language had value as discourse. Artlanguage was limited to the way "sign", that is, to designateany thing and post signs around it, -- in other words, itart - to name, and then by decorating at the same timeand proving doubling up to catch this name, close it andto hide, label it in turn by other names thatwas it deferred presence, a sign of secondary order,a rhetorical figure, ornament. However, throughout the nineteenth centuryto the present day-from hölderlin to mallarmé and Antonin Artaud --literature existed and still exists in its autonomy;it is sharply separated from any other language, forming a kind of"protivotankovy" and having returned, thus, associated withrepresentation or symbol of the function of language to its coarsebeing that, after the XVI century was forgotten. Those who believe that the attainment of the essence of literaturefeasible through its research at the level not of what shesays, and significative form, remain withinclassical language status. In the modern era literature is -- what offsets (not confirmed) significativethe functioning of language. Due to the literature the luster of the life of languageis again extended to the limits of Western culture andpenetrates inside her-as since the XVI century the language becameculture most alien; however, the same XVIcentury it lies in the center of what is it.
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