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This new disposition entails the emergence of new, hithertounknown issues: indeed, before the question was this: how to knowthat sign really indicates that he means? Since the XVII centurythe question is formulated as follows: how the mark may be associated with the fact that hemeans? To this question the classical era meets the analysisrepresentation and modern thought-the analysis of meaning and significance. But thethe language is nothing more than a special case of representation (forpeople of the classical epoch) or values (for us). Deepownership of language and the world is destroyed. The primacy of the letterquestioned. It is therefore no longer this homogeneousthe layer in which seen and read, seen and expressedinfinite crossed among themselves. Things and words from now ondivided. The eye is designed to see, and only see your ear --just to hear that. The objective of the speech becomes the statement thatit is, but it is not anything beyond what she says. So is a Grand restructuring of the culture, historywhich the classical age was the first and perhaps the mosta significant step, because this step generates a newthe disposition of words and things, in whose thrall we stillare, and because it separates us from a culture inwhich there is the meaning of signs, for it was dissolved inruling the meaning is Similar, but in which mysterious,monotonous, haunting, primordial being signs flickered in histhe infinite fragmentation.
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