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Meanwhile, as the written language was held the first stage of its development,its root, wall decoration, differentiated into painting and sculpture.These decorations represent gods, kings, men and animals wereoriginally delineated into the log lines and painted. Most often, thesethe lines are so deep and the subject outlined by them, so rounded and finished inthe main features that these works constitute a cross between a carvedwork and relief. In other cases, we see improvements neobdumannyethe space between the figures carved completely, the pieces wellpainted in a painted bas-relief. The restored Assyrian architecture at Sydenham is thisthe art style brought to even greater perfection and aitems, though still barbarously coloured, are carved with more precisionand with greater detail in the winged lions and bulls, set on the cornersgate, you will notice a significant step forward to the perfect sculpturethe figure, which, however, is still coloured, and still forms part of theof the building. But meanwhile, in Assyria we see no attempts to workstatues, Egyptian art we can trace the gradual separation of thesculptures from the wall. Review of the collection of the British Museum clearshows that they give at the same time, the chance to see obvious traces ofas individual statues originated from the bas-reliefs is not only seen fromthe fact that almost all of them are such a member communication with the body, whatdescribes the bas-reliefs, but also from the fact that the back side of the statueis from head to toe smooth stump replacement for the previous statuesthe wall.
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