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However, the problem is complicated by the fact that the artist himself can understandthis influence of moral life on his art it is also possible that forlove his art he is ready to develop a certain idea of morallife or moral heroism, a certain system of moral valuesvalues and imperatives - all this is subordinated to the good of theirart, and not his soul. We are talking about what I would callthe temptation purely artistic morality. I think the role in this caseplayed in the twentieth century Walter It 26 or Oscar Wilde, wasimportant. Sometimes poetry is presented to us as something that imposes onhuman moral obligation, the burden of which he never canreset. "In us dwells the angel whom we constantly offend, -said Cocteau 27 - we must become the guardians of this angel"**. It happens that the artist speaks of the necessity of ethics and the purity andsacrifice of self in such strict terms, which would not have come inmind to any moralist. But ponder carefully! The ethics of which we speak, must,apparently, boils down to consider the moral law asdo not boil or a coat of fresh paint on a dirty wall - watchpainted! Stain!.. The sacrifice goes, must beto your soul, your body and other people's destiny to experience the fulla new experience that can open new human horizons, and that,plunging into the depths of evil, to redeem him then his poetry.
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