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I ask myself, however: what if spontaneous censorship typesetters becamewould a common phenomenon, would be the results encouraging, - I'm not even talking forart, but for society? Enough to give your imagination to seeas if in some terrible dream, the possibility of a more General phenomenon: Ireferring to the uprising of the so-called "ordinary people", people from the street, againstthe entire "intelligentsia" in General, whose irresponsible actions threaten all.Not to sentence to death those physicists with their atomic bombs, these biologistswith their biological warfare, these philosophers with their tower of Babelissues, these professors with their tendency to break down human brains, thesejournalists with their sensational reports, the latest of these artists with theirviolent deformations of the latest novelists and poets with their motto"it is written has no consequences"? Some semblance of this uprising againstintellectuals and the nostalgia for barbarism we saw in the originalthe cult of "life" and rampant flattery "of the people" during Nazi Germany. Sketched me a nightmarish vision has not so many chances to becomereality - not because it seems to me that people do not have enough for thisanger, but because they, fortunately, lacks the power to satisfyit this way. But humanity may face even more badreality. People lack power, but totalitarian States havethe power to forcibly control morality - their particular moralitythe works of intellect, and primarily art and poetry. In thiscase, as we have shown, the regime of Hitler and Stalin, the creative force beresponsible to the Government and obedient to the State; the artist anda writer are his main moral obligation to the policy; equalthey must adapt to the aesthetic principles, as they formThe state posing as an exponent and defender of the interests of the people.The state no longer casts Homer as he naively discretional Plato. Ittrying to tame it.
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