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QUANTIFICATION OF QUALITY. This figure contains all previousfigures. Reducing any quality to quantity, myth economizes on mentalefforts and comprehension of reality cheaper. I have already givenseveral examples of this mechanism which bourgeois and especiallythe petty-bourgeois mythology uses without hesitation when consideringaesthetic facts associated also with non-material entities.Bourgeois theatre is a good example of this contradiction. Onehand, theatre is presented as the essence, not expressible in any language andopens only to the heart and intuition; this quality gives the theatre easilyvulnerable self-esteem (talking about the theatre is the SCIENTISTconsidered "an insult to the essence"; in other words, any attemptrational understanding of theatre inevitably discredited and is estimated asthe scientism or pedantic). On the other hand, the bourgeois drama basedon the accurate counting of theatrical effects using a number of in advancedesigned tweaks establishes a quantitative equality between the costticket and the sobs of the actor or with luxury decorations; what we call,for example, the "naturalness" of acting, is first of all wellthe calculated number of external effects.
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