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After these two centuries we have become more attention tothe signs of a movement that is contrary to this General setting.Neither liberalism, economic or political, nor the various trendswithin Marxism failed to get out of these two bloody centuries, avoidingaccusations of crimes against humanity. We can list a number of namesown, place names, names of historical figures, dates, who are ableto illustrate and substantiate our suspicion. To show howat odds of the newest Western history "modern" project of liberationhumanity, I follow Theodor Adorno used the word symbol"Auschwitz". Thinking is able to "remove" -- in the sense of aufheben-this"Auschwitz" by including it in a universal empirical or eventhe thought process that focuses on the universal release? Secretsorrow hath eaten our Zeitgeist (spirit of time it.). He may Express himself invarious reactive or even reactionary attitudes, or utopias, but notthere is a positive orientation that would open before ussome kind of new perspective.
According to Portoghesi, a break frommodern to postmodern has become possible due to the fact that was cancelledthe hegemony of Euclidean geometry, for example in plastic poetics group"Stijl". If you believe Gregotti, the difference between modernism andpostmodernism is, above all, the disappearance of the close ties that boundthe architectural project of modernity with the idea of progressive realization of social andindividual liberation to the whole of humanity. As it happened,what postmodern architecture is doomed to produce a series of someminor modifications in the legacy of modernity and spaceto abandon a global reconstruction of the space inhabited by man. Inthis sense the eyes of postmodern man, in particular architect,enjoy overlooking the vast landscape, not definedthe horizon of universality or universalization, of universal liberation.The disappearance of the Ideas of the progressive development of rationality and liberty mayto explain the known "tone" of postmodern architecture, its special style ormanner, I would say -- a kind of "Bricolage": the abundance of quotations-elementsborrowed from previous styles and periods, both classical andmodern; insufficient attention to the environment, etc. One comment on here about what aspect of the problem: the prefix "post"the word "postmodernism" is understood by these authors in the same sense that speechis about a simple succession, a diachronic sequenceperiods, each of which can be clearly identified. "Post" thenthe case indicates something like a conversion: a new direction replacesprior.
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