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I don't want to assess the moral implications of such a mechanism, butI think that will not go beyond objective analysis, if you notice thatthe omnipresence of the signifier in myth exactly reproduces very physicalthe structure of the ALIBI (it is known that it is a spatial term): the concept of an alibialso implies the existence of filled and empty spaces that are associateda relation of negative identity ("I am not where you thinkwhat I am"; "I am where you think I'm not"). But ordinaryalibi (for example, in a criminal case) has its end; at some pointreality stops the rotation of the turnstile. The myth also represents aSIGNIFICANCE and cannot be considered from the point of view of truth; there is nothing stoppinghim to save the eternal alibi; the two sides have a meaning alwaysallow him to be in a different place, sense is always here toMANIFEST form; the form is always here to OBSCURE the meaning. It turns outso that between meaning and form,there is never a contradictionof conflict; they will never face each other because neverbe in the same spot. For comparison, we can cite the followingthe situation: when I go in the car and look out the window, then at his desire Iunable to focus or on the landscape or on the glass; I look at the glassand when the landscape, overshadowed, or, on the contrary, glassbecomes transparent and I see the depth of the landscape. The resultsuch alternation of the same: I perceive the presence of the glass and at the sametime it is for me devoid of any interest; the landscape seems to mesurreal and at the same time revealed to me in its entirety. The samecan be said about meaning in the myth: its form is empty but it is, itthere is no sense, but at the same time he fills a form. Itthe contradiction can be noticed only in the case if you intentionally stopthis alternation of form and meaning and to focus on each of them asthe object that is different from the other, if you apply to myth a staticthe decryption procedure, in a word, if to break his own momentumand to consider it from the position not of the reader, and mythologist.
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