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I can give another example of a language that is strugglingresists mythologizing: it is a poetic language. Modern poetry is a REGRESSIVE SEMIOLOGICAL system. If the myth is committedto the creation of ultra-values, for expanding the primary system, poetry,on the contrary, trying to find the infra-values in disimilarities conditionlanguage, that is, it seeks to transform the sign back into meaning. Inultimately, the ideal of poetry - not dig up the meaning of words and meaningthe things themselves . That's why poetry disturb the tranquillity of the language, that ismakes the concept more abstract and morearbitrary and weakens to the limits of the possible Association of a signifier with asignified. "Shaky" structure of the concept is used to the maximum extent;in contrast to the prose of the poetic sign tries to reveal its full potentialthe signified in hopes to get finally to the point that you can calltranscendental property of things, its natural (not human)sense. Hence the essentialist ambitions of poetry, its belief thatonly she can grasp the meaning of THINGS IN ITSELF, and to the extentit, poetry, pretends to be antiethical. In Generalto say that of all popular language poets are the least formalist, forthey believe that the meaning of the words - only form, which in no wayas you cannot satisfy them as realists concerned themselves with things. Atthis is why modern poetry always acts as a killer languageis a spatial, concrete-sensuous analogueof silence. Poetry is the opposite of the myth; a myth is a semiological system,pretend to be converted into a system of facts, poetry issemiological system, seeking to is reduced to a system of entities.
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