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the theoretical component 11 other images and motifs could find a place next to the old,answering the same requirements of suggestively, aprecias in poetic language,or waderas briefly under the influence of fashion and taste. They invaded fromdomestic and ritual experiences, from someone else's songs, folk orart, applied literary influences, new culturalcurrents that determined, along with the content of thought, and the nature of itsimagery" (Ibid. P. 455). Further, A. N. Veselovskynoteswith the advent of Christianity epithets are replaced by half steps. In General, A. N. Veselovsky allocates these essential for communicationelements, noting that "poetic equations, is ganglia,touching which awakens in us the ranks of certain images in onemore, in another less, according as our development, experience, and ability to multiplyand match caused by way of the Association"
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