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Myth has an imperative, incentive-based: starting fromspecific concepts, originating in absolutely certain circumstances(Latin, the French Empire is in danger), he turnsdirectly to me, tends to get to me, I experienced it myselfbecause of his intentions, he imposes me its aggressive ambiguity.For example, traveling to the Basque Country in Spain , of course, I cannotice the architectural unity of buildings, the existence of a General style that makesme to recognize the existence of a special type of the Basque house as a definiteethnic product. However, I can't say. this uniform stylesomehow affects me, or so to speak, trying to grab me; Iwell aware that he was here before me and without me, it's complicatedthe product, due to the long historical development: it is not drawnme directly, no prompts to give it a name, unless Igoing to represent him as a type of rural housing in a number of others.But if I do walk in the suburbs of Paris and notice at the endshe said the streets of Paris or the streets of Jean-jaurès cute little whitehouse, indoor red tiles, with wooden structures, painted inbrown, with an asymmetrical roof and a timber-framed façade, it startsto think that I personally want to call this structure a Basque housemoreover, to see in it the essence of "backscale". In this case, the concept"backcast" reads to me as something quite deliberate: hehaunting me, to get to recognize the totality of motivating hisintentions, the concept stands before me as a sign of someindividual stories as trust message as a promptcomplicity; it's a real call, which appeal to me the owners of the house.And to this call it seemed more compelling, they went on all sorts oflimitations, all that was justified in the Basque house from an economic pointvision: Riga indoor, outdoor staircase, dovecote, etc., all this wasdiscarded and left only a brief, unambiguous signal. Reference to a specificthe person are so obvious that it seems as if this house justbuilt just FOR ME, it appears to me as if by magic, andit is impossible to detect any traces of the events that led to hisappearance.
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