Monday, July 29, 2019

Story image for bridal jewelry from Bustle

8 Royal Wedding Jewelry Moments From History That'll Get You ...

Bustle-May 17, 2018
The tradition, romance, pomp and circumstance of the occasion (not to mention the fabulous royal wedding jewelry that will be on display) is enough to whip ...
Story image for bridal jewelry from Brides.com

An Elegant Countryside Wedding at Princess Diana's Family Home

Brides.com-Dec. 12, 2018
Soon after that, the bride's parents got a call from two of their closest friends, Lady .... Gianvito Rossi heels and jewelry from her eponymous line, Siena Jewelry.
Story image for bridal jewelry from ELLE.com

Meghan Markle Accessorizes Her Wedding Dress with Cartier Diamonds

ELLE.com-May 19, 2018
To complement her beautiful tiara, Markle kept the rest of her jewelry simple, opting for a pair of diamond stud earrings and a stunning bracelet. No necklace ...
Story image for bridal jewelry from JCK

Best Bridal Sales Tips: Outtakes From the Latest Issue

JCK-Oct. 16, 2018
Vrai & Oro started off as a smaller e-comm company for delicate fine jewelry and expanded into the bridal space with rings made with lab-grown diamonds in ...

1 comment:

Anonymous said...

If myth is depoliticized way, he can be
contrasted at .as one type of language that RETAINS its
of a political nature. Here it is necessary to refer back to the distinction
language-object and metalanguage. If I'm a lumberjack and I need to call the tree that
I want to cut, then regardless of his statements I'm dealing with
directly from this tree, and not to speak ABOUT wood. So
my tongue has in this case an operational nature, it is related to the subject
transitive: between me and the tree is only for my work, that is
action, this is political language; he representerait nature only to the
extent that I convert, is the language with which I
Act upon the object; the tree, for me not the way, but the meaning of my actions. But
if I'm not a lumberjack, I can't deal directly with this tree, I
I can only speak About the tree, ABOUT the tree, my language is not
is the instrument of influence on him, on the contrary, singing tree
becomes a weapon of my tongue now between me and the tree there
nontransitive .the attitude, the tree is no longer the meaning of reality as
object of human action, but becomes a WAY COMING INTO MY
DISPOSAL. In relation to the real language of the woodcutter, I create secondary
language, i.e. the metalanguage with which to manipulate you, and their
names, and which refers to the primary language as is
imitating a gesture to the real action. This secondary language is not entirely
mythical, but it is there and lives a myth, because it can react
only such items that have already been mediated by primary language.