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However, the voluntary submission to myth defines all of our traditionalLiterature. According to the accepted norms of this Literature is typicalmythological system: it has a meaning - the meaning of the discourse, there is meaning- this discourse, but as the form or the letter, is signified - the concept"literature" is, finally, the value of literary discourse. I touchedthis problem in the "Zero degree of writing", which in General isa study of mythology language literature. In it I identified a letteras meaning of a literary myth that is as a form, already filledmeaning that the concept of "Litera tour" gives in addition to the new value. I expressed the idea that history is constantly changing the consciousness of the writer,brought about the middle of last century to the moral crisis of languageliterature, it was discovered that the letter acts as a signifier, andLiterature - the role of values. Rejecting the false naturalness of traditionalthe language of literature, writers began to show an attraction to a certainantiprirodnaya language. The overthrow of the writing was the radical actby which a number of writers have attempted to reject literature as amythological system. Each of these riots was a killer for Literatureas the values of every required information literary discourse to conventionalsemiological system, and in the case of poetry - even disimilaritiessystem. It was a task of enormous proportions, which demanded a radicalmeans; it is known that someone went so far as to requiresimply destroy the discourse, to turn him into silence, real ortransposed, which seemed the only effective weaponagainst the main advantages of the myth: his ability to continuously be reborn.
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