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similar to the many jokes of the Soviet era. There figureEmperor Franz Joseph of the same type figure of Brezhnev as an object of ridicule for.Parallel anecdotal history there as in the days of the SovietEmpire and during the Russian (sometimes even giving rise to a particular islandthe absurd type of the reign of Paul). This is understandable, since the Empire lyricshave reinforced the symbolism, which in turn allows them easilyto beat. For the Soviet reality such anecdotal valuessteel Brezhnev, Chapaev, to a lesser extent-Lenin, Khrushchev, Stalin. Ieheroes last time provide more space for activities, asthe lyrics exalted the same way as in the initial period, and the characters,they describe a smaller caliber. Hence the following rule for empires-they cannot createof a single Language. Imperial tendency to the exaltation of themselves, tomegalomania, doomed the Empire to the product of the dummy codes. They aresupported by the apparatus of repression. They are actively generated by the apparatuspraise. But they live only when they are permanentsupplying "state of energy". The disappearance of the Empire (the forceAssembly of such texts) immediately destroys these texts in their intendedfunctioning. The texts of the second kind -- the texts of derision --in a strange way themselves become spokesmen of the era. CP. the role of "the Twelvechairs" by Ilf and Petrov in the era of pre - and post-Soviet. Or anecdote inthe result may be a certain proof, typical detailera.
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