From the Archives: Karl Lagerfeld, The Impresario
Yahoo News-Feb. 21, 2019
Round his neck, over a narrow necktie, he had a necklace of ... when he was born) was an aristocrat whose salad days had been in the 1920s.
15 Things You Didn't Know About Coco Chanel
Mental Floss-Feb. 12, 2019
Still emblazoned on handbag, earrings, necklaces, and dozens of other ... In the early 1920s, Chanel worked with perfumer Ernest Beaux to create the scent. ..... imported seed pearls, took six months to make, and sported a 13-foot train. (It cost ...
Azza Fahmy Debuts Exclusive Timepiece Pendant At Harvey Nichols ...
HarpersBazaarArabia-Dec. 24, 2017
Each pendant necklace is uniquely designed with a 1920s watch ... key charm, set amongst a variety of diamonds, rubies, emeralds and pearls.
Van Cleef & Arpels celebrates 50 years of Alhambra
South China Morning Post-Jun. 28, 2018
It first made subtle appearances in the maison's designs in the 1920s, often mixed ... set with diamonds or rock crystals with grey mother-of-pearl, lapis lazuli, or onyx, ... These models follow the subtle size of the original long necklace that was ...
The article begins with the words by F. Tyutchev:the idea
expressed is a lie. And immediately asks how would communication definition
symbolism: "the poetry of Tiutchev is not definitive
telling the audience their protected world of "mysterious and magical
dum", but only oznamenovalsya attached them to his first mystery"
(Ivanov Vyach. The precepts of symbolism // the Apollo. -- 1910. -- No 8. P.5).
Here includes not only a certain exclusivity of the Creator, similar to
as determined by its V. F. "Culture as the case of demigods, can't be
food fit for the majority. A vulgus profanum can live forever only
ready. And culture is always not ready, and won. Culture as
creativity can only infect" (ERN VF Works. P. 284). Here
laid the foundations of a creative approach to communications in General, which
then fruitfully developed by Y. M. Lotman.
Vyach.Ivanov symbolism leads to the "language of the priests and wise men",
defining it as magic. And it's far past functioning "of the language
of the gods," he brings in the future. "Symbolism seems to advance the
hypothetically conceivable, in fact religious era language when he
to embrace two separate speeches: talking about empirical things and relationships and it
about objects and relations of a different order, an opening in the inner experience,
-- the hieratic speech of prophecy. First the speech, now only us
familiar, is it logical, that the main inner form which
the judgment is analytic; the second, now accidentally admixed to the first
wrapped around the sacred Golden mistletoe friendly with her oak poetry and silencing
parasitic growth hotbeds of science, alien rising
the tares of the field, plowed plows accurate thinking, - would it
mythological, the main form which will serve as a "myth", understood as
synthetic judgment, where the subject-the notion and the predicate --
verb: because the myth is the dynamic view of (modus) symbol -- symbol
contemplate both the movement and the motor action and effective power"
(Ivanov Vyach. The precepts of symbolism // the Apollo. -- 1910. -- No 8. P.11).
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