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The article "the Theater and the dream" Maximilian Voloshinlistsmany semiotic characteristics of the theater, for example, a mismatch of logicreality and logic of the theater: "Ordinary reality transferred to the stage, there ceases to bebelievable and convincing; however, as theatrical signs, absolutelyconditional and primitive, become through the prism of theater and compelling andthe most likely" (Voloshin M. Theater and dream // the Mask. -1912-1913. - No 5. C. 5); He cites the example of when the sword was taken the beloved's heart. Inone case it turned out to be a real sheep's heart, which, however, does notmade no impression. When he appeared on the scene flannelheart shaped card worms, the success was complete. Semiotic conclusionthe M. Volochisk. "theatre does not deal with the realities of things, andonly with their signs. "Everything is transitory -- only the sign" (ibid.P.6). Accordingly formulates the requirement to theatrical scenery: "Theyshould be no images, and signs of reality" (Theresame). He also bring an example with the appearance of the living poodle inthe production of "Faust": "But when it appears in public inevitably frustrated laugh: live poodle was a violation of the scenic realities. He made the logicanother world" (ibid.P.7).
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