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in front of us more intense communication, as in the case of readingperhaps a constant distraction, but it removed even external stimuli(type of light). The intensity sharply increases the impact, just asV. M. Bekhterev wrote about the perception of the crowd: "in the limitation of arbitrarymovements all the attention goes to the speaker's words, comes that terribledeathly silence, which frightens every observer, when a wordsounds in the mouths of everyone from the crowd, producing a powerful effect on his mind."(Bekhterev V. M. Suggestion and its role in public life. SPb., 1903.P. 132); - the theater can be considered a reflection of a primitive stagecommunication, when each composite element has not lost its importance, heless "erased" as a result of use. 1.7. The CREATIVE COMPONENT IN this section we would like to emphasize strong enoughthe trend of the early XX century, which we denote as metaiskusstvo.Here we will take active work on the creation of new languages in the field of music,painting, literature, theatre. Suddenly it became possible to exit the stageonly new texts, but also with new languages (codes). Ifnew text is based mainly on the new content, the newlanguages (codes) necessarily based on a new form. From a hugethe Pantheon of names of the creators of the new languages we will focus only on one thing -Velimir Khlebnikov (1885-1922).
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