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holding, we are compelled to search this content out art;predetermining the content of the form, we finds not even a single formof art" (ibid. P. 78). It is "symbolic of judgment," 1910runs parallel with the creators of the formal school of literary criticism. Andrew White offers his doctrine of the General forms of artlaying the Foundation of his space and time. Music has asa basic element of rhythm. Poetry -- the image changes in time. Painting --the image in the paint in two dimensions of space. Structure and architectureinclude your images in three dimensions of space (White A.Sense of art // A. White the Critic. Aesthetics. The theory of symbolism. In 2 vols.-- Vol. 1. -- M., 1994). In this work he gives an interesting definitionthe process of symbolization based on experience: "the process of building modelsexperiences through images of sight is a process of symbolization" (Theresame. P. 153). The symbol is deployed by him in the following trinomial model: "1) a symbol as an image of sight, stimulating our emotions concretenesshis traits that we deliberate in the surrounding reality; 2) the symbol asallegory, expressing the ideological meaning of the image: philosophical and religiouspublic; 3) the symbol as a call to creativity of life" (ibid.C.171). As you can see, the symbolism here is on the real ground in the formexperiences. It is the same concept in the "Meadow green" A. Whitelinkswith religion. "Religion is the relationship of experiences. Feelings are the soleand collective. Religion is the connection of the sole and collective experiences"(Ibid. P. 254). Collective experiences are combined in a closedgroup.
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