Monday, April 22, 2019

Story image for 1920s pearl necklace from

5 Times Princess Kate Has Borrowed the Queen's Jewels 13, 2016
... in a pair of stunning pearl and diamond earrings, which belong to the Queen. ... headpiece that dates back to Queen Elizabeth's mother in the 1920s. ... the princess as she stepped out in the “Nizam of Hyderabad” necklace, ...
Story image for 1920s pearl necklace from Prestige Online

Getting Even Luckier With Van Cleef & Arpels

Prestige Online-May 31, 2018
... made their first appearance in Van Cleef & Arpels' records in the 1920s. ... The first Alhambra long necklace that we still see being worn today was ... Alhambra pendant with yellow gold and, white-mother-of-pearl; the Magic ...
Story image for 1920s pearl necklace from National Post

Rihanna, new top designers debut from powerhouses Lanvin and ...

National Post-Sep. 29, 2016
Pearl necklaces, lace headdresses, sheer shawls, fabric fans and ... that were draped and gathered, evoking the house's heyday of the 1920s.
Story image for 1920s pearl necklace from E! Online

Dress Like a Royal With All of Princess Eleanor's Most Fashionable ...

E! Online-Mar. 14, 2018
"We bought this vintage dress which is original 1920s. ... Paired with strings of pearl necklaces, the look is definitely reminiscent of Madonna in ...

1 comment:

Anonymous said...

The polyphony of theatre gets more subtle
distinction. In the study by A. A. Arkhangelsky the word gets even
more secondary functions. He writes:
"But is it possible to describe in a word all those subtle nuances that
surrounded by manifestations of the human psyche ? Is

the background of semiotics in Russia 52
possible word to convey the deep anger, or all of the power of love, or the whole
the horror of jealousy? The word is the symbol adopted by millions, so
the word defines only a character in this experience. Music and gesture as
more abstract forms are designed with a high power sound when
powerless word. When word can not Express the fullness of the senses,
experienced actor, comes the turn of music and gesture, which are fraught with
an inexhaustible source of subtle twists and turns of the human spirit"
(Arkhangelsk A. A. Music and rhythm on the stage // of the Mask. --
1912-1913. - No 6. P.23).
Interesting, entirely semiotic distinction between ritual and game
offers M. M. Bonch-Tomashevsky. "Essentially, the ritual is not what
we want to show others, but something with which we identify our innermost
desires the intimacy of our requests and sorrow. Ritual the word is not
designed for people -- through their heads it says the deity is trying
his to propitiate, thanks for the help, ask support. Ritual gesture
built on two fundamentals: gesture up -- uplifting hand, the construction of an eye --
reflects the desire to get closer to the celestials; gesture down -- descended
head, woven hands, knees -- kneeling symbolises humility before
the Supreme will. Participating in the rite is not trying to convince, because
the rite allowed only believers. Hungry cleansing anyone not
shows -- he just joins the General wave of mystery"
(Bonch-Tomashevsky, M. M. Theatre and ritual // Mask. - 1912-1913.