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wanted to regulate or to arrange a relationship that is not availableof the Supreme power. In the hands of Catherine, the authorities received a different physiognomy; possessingit in a wide size, it is as if it was a little livestyles liketried to justify it, but said her activities of such soft forms,what the Supreme power had we until now" (KlyuchevskiiCourseRussian history. H V. M., 1937. P.205). For the modern reader of the above sounds like a comparativecharacterization, for example, the reign of Stalin and Gorbachev. With Catherine V. Klyuchevsky connects the emergence of a new typenobleman (philosopher, Mason, of voltairiens). And since this "hero"acts as, which will continue to shape publicopinion, it is also a purely semiotic type. "On this latter point andthe prevailing type, which is in continuation of several generations ledRussian society, given the tone of his notions and tastes; we will call this typenetloadin nobleman-a liberal"
strongly under foreign influence, including its educationalstructures V. Klyuchevsky enumerates the following set: a rural Sexton,French-tutor (by the way, this is also an interesting semiotic type, evenrequires a deeper study), Italian theater, Frenchrestaurant. The result is a very characteristic Russian phenomenon: withthe owner of Voltaire in his hands somewhere in Tula village, "he presented a verya strange phenomenon; they learned manners, tastes, habits, concepts, and sympathy,the language-everything about him was alien, imported, and home he never hadorganic connection with others, no serious worldly Affairs"(Ibid. P. 213). This "multilingual environment" undoubtedly favorablefor semiotic diversity. General characteristics of V. Klyuchevsky all the time stresses these"Ino" -binding of this type: "no ideas, no practical interests are nottied him to home; he's always tried to be his among strangers andjust become a stranger among his own, was somehow adopted by Europe. InEurope saw in him a disguised European-Tatar, and in the eyes of their heit seemed the Russian-born Frenchman. In this position of publicMegumi, historical irrelevance has been, if anything, a lot of tragic...
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