Monday, April 22, 2019

Story image for 1920s pearl necklace from artnet News

Jeanne Toussaint of Cartier and the Art of the Wild

artnet News-Jun. 3, 2014
... the detachable ruby-eyed crocodile gold necklace—featuring 1,023 ... pearls, and silks, she went about taming the jungle of jewelry design.
Story image for 1920s pearl necklace from Financial Times

All-star gifting

Financial Times-Nov. 29, 2016
... polish, £14,; Oscar de la Renta gold-plated pearl necklace, £695, .... gossip, mad debutantes and the forgotten characters of the 1920s.
Story image for 1920s pearl necklace from Daily Mail

The sartorial reinvention of Camilla: How the Duchess of Cornwall has ...

Daily Mail-Apr. 8, 2015
Seen here is her favourite pink topaz and pearl choker ..... 'Designed in the 1920's, it is a royal heirloom that a square- cut central .... All smiles: The Duchess, seen here in a chic white dress and plain pearl necklace, is never ...
Story image for 1920s pearl necklace from Bustle

Sarah Jessica Parker Wore The Best Outfits In Season 6 Of 'Sex In The ...

Bustle-Mar. 26, 2015
Her multi-layered dresses, tulle skirts, pearl necklaces, faux fur coats, little leather gloves, girlish knits, quaint Breton stripes and soft colors are ...

1 comment:

Anonymous said...

Religion, by A. White, working with feelings that have not yet
fixed form. "Recruitment experience is the first selection of forms (social,
sex, etc.). Recruitment forms can not be informed of selection
experiences" (P. 255). Moreover, the form had become as if already
"dying" experience. "Shape-this is the experience, once embodied, and
now your fading, because they are driven into the instinct" (P. 25 5-256).
A. White really further penetrate existing at the time
of methodologies, exemplified by the article "Poetry and experiment" from
the book "Symbolism" (1910), where

the symbolic component 49
subjected to a thorough analysis of the rhythm of Russian poetry quite
the specific examples. The starting point of the following article would be enough
hard remark: "Very lyrical poem, and not abstract of judgment
about what should it be, the basis of the study" (ibid.
P. 183). The theory of literature he sees as a lack experience
science because it is "not built on a sufficient number of
analyzed material" (P. 184).
Interestingly, the symbolic unity, he defines as a unity of form
and content (A. White , the Emblems of sense There),
ie not confined to one concept or one concept of the content. It
new that brings the symbolism, he sees the connection to modern
issues around the diversity of past cultures:
"the attempt to illuminate the deepest contradictions of contemporary culture
colored rays of diverse cultures; now how would we experience all
past: India, Persia, Egypt, and Greece, and the middle ages -
to life rush past us era, we are closer. Say that important
hours of life before the spiritual eye of the person flying all his life; now before
us flies the whole life of humanity; hence we conclude that for all
humanity has broken important hour of his life. We really feel something
new; but it is tangible in the old; the vast abundance of old -- the newness so
called symbolism" (Ibid.P.55).