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at Petersburg, Vienna, Moscow. Vienna said such architecturalthe texts of all the important aspects of their Empire -- the Parliament, the town hall, Opera,palaces and museums. This text, designed for the bent head, hebasically does not have other, more mundane functions. Almost similarthe texts are created in advance in order to be separated from hisreader. We are in every capital, but in the case of the Empire such separation(the need to produce a majestic impression) becomes importanttwice. Similar processes we see in tsarist St. Petersburg and SovietMoscow. The change of the tsarist Empire to the Soviet led to the generation of theirown potent lyrics and the partial destruction of others (orby renaming and conversion, or simple smetana faceof the earth). In the absence of the Empire, these texts begin to seek to neutralize, tomasanotti. Any such text was created in the expectation of eternity, whichthe result does not occur. Imperial Palace becomes the Museum, displacingconsciousness of the original symbols. But today, it retains a majesticshadow of the past, creating his own world, protected from the influence of the present day. Andrequires extra effort to break this protection. Soan easier option is turning the palaces into museums, which savesthe necessary context of detachment from the number on the calendar. Almost all of the Viennesethe palaces are arranged in a circle, they do not admit to their own cars, greenparks creating a barrier between himself and the present. Moreover, they are evenkeep your own background music called "Vienna music",probably almost the only period of music history is named forbehalf of the city.
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