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However, thisthe setting can be carried out only in mythical formGenesis -- at the same time and the singular, and universal, in whichseparate, empty, and abstract consciousness must, it was, starting withthe smallest representations, and gradually expand the broad pictureall that can ever be presented. In this senseIdeology-this is the last classical philosophy, similar toas "Juliette" - is the last classic story. In the scenes andreasoning from de Sade to a new power desires to find its place indeploy a perfectly transparent representations, up tothe most difficult. In contrast to the Ideology of Kant's critiquemeans, on the contrary, the threshold of the modern era, she asksperformance, it is not perpetual motion, whichbuilding from the simplest elements of all the possible combinations, buton the basis of its legal boundaries. Thus, she firstauthorizes important event of the European culture of the late XVIIIcentury: the withdrawal of knowledge and thought outside the space of representation.It is challenged in its very basis, in its first principle, inits borders; unlimited field of view thatestablished classical thought and Ideology which sought stepby step to get around using the scientific discourse turned nowmetaphysics-but such metaphysics, which would have never gotfor their own frames, which would act asinexperienced dogmatism, which never set rightthe question of their rights. In this sense, the Criticism highlightsthe metaphysical dimension, which is the philosophy of the eighteenth centurysought to end a simple analysis of the submission. At the sametime, however, it opens the possibility of another metaphysics, the purpose ofwhich -- questioning all that lies beyond allsubmission is its source and origin; that isit made possible the philosophy of Life, the Will, the WordsThe nineteenth century unfolded, following in the footsteps of "Criticism".
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