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In the early XVII century, in the period which was erroneously orrightly called Baroque, thought ceases to move inelements of similarity. Now the sort of -- not a form of knowledge, but rathera reason to commit an error, danger whenpoorly lit space of the mixing properties is not investigated."Having noticed some similarity between two things, saysDescartes in the first lines of "Rules for the management of the mind" -- peopletend to ascribe to both of them, even than thesethings are different, the properties that they foundtrue for one of them,"<$F Descartes. (Euvresphilosophiques, Paris, 1963, t. I, p. 77.>. The era of suchgradually closes in on itself. It leaves behind someonly games. This game, the charm of which is enhanced on the basis ofthis new relationship of resemblance and illusion; everywherelooming Chimera similarity, but we know that it is onlyChimera; it is a special time of props, comic illusions theatrebifurcated and presenting theatre, quiproquo<$F lat.qui pro quo - one thing instead of another, confusion, misunderstanding. --Approx. ed.> dreams and visions, this time deceiving senses; it isa time when metaphors, comparisons and allegories definepoetic space of language. And thus the knowledge of the XVI centuryleave a distorted memory of Tom o mixed withoutsolid knowledge of the rules, in which all the things of the world couldto get closer the chances of experience, tradition orof credulity. From now on, a beautiful and strictly necessary figuressimilarity be forgotten, and the signs of which they are marked, nowtake for dreams and charms of a knowledge that has not yet becomerational.
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