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Finally, the last result, concerning undoubtedlyus, binary theory of the sign, in the XVII century lying at the baseany universal science o signs significantly associated withthe universal theory of performance. If the sign is a simple andclean the connection of the signifier and the signified (this relationship can bearbitrary or not, free or imposed, individualor collective), their relationship can be determined onlyin the General element of representation: the signifier and the signifiedbound only to the extent in which they are presented (orwas presented, or can be represented) and in which onereally is more. Thus, necessary it turns out that the classical theory of the sign inas its philosophical Foundation and justificationuses "ideology", that is, a General analysis of all formsrepresentation, from elementary sensation toabstract and complex idea. Equally essential was thewhat, giving the project a total of symptomatology, Saussure defined the signit would seem "psihologicheski" (communication concepts and image): infact it is in this case opened againthe classic condition in order to think the nature of the signbinary.
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