Old-Meets-New With Beverley K Engagement Rings
JCK-Feb. 9, 2018
I love a good vintage engagement ring. Since I began my career in jewelry working with (mostly) estate pieces, I've been enamored with the detail, ...
Best holiday sales this weekend: Zwilling, Anne Koplik jewelry
The Journal News / Lohud.com-Nov. 20, 2018
Best holiday sales this weekend: Zwilling, Anne Koplik jewelry ..... Find finea art, jewelry and antiques including select designer and vintage jewelry, mid-century ...
How to Shop Like a Local in Barcelona
New York Magazine-Apr. 17, 2018
“Le Swing is especially good for vintage accessories, sunglasses, costume jewelry, bags, and silk scarves. Owner Renier Guerra has an amazing eye for detail, ...
EBay will now authenticate luxury jewelry items
TechCrunch-Dec. 4, 2018
The first luxury jewelry authenticated through the expanded service include engagement and wedding bands, loose diamonds and gemstones, and fine, vintage ...
"the work of art is finished, in himself at rest and
yourself existing the whole effect and opposes the latter as
an independent reality in nature. In artwork form
being exists only as a reality effect. Art
work, perceiving nature as the relationship between motor
directions and visual impressions, is exempt from all
random variable and" (Ibid. P. 24). This emphasis on form
brought to the limit, taking the place of polar sociological approach to
art. "form of existence becomes a form of influence, and the latter
free from measurable actual content. Separate values of the form
being grouped in the values of exposure" (ibid. P.36).
A. Hildebrant trying to distinguish between two concepts -- the form of life and
form of influence. First-this is the real existence of the object, the second --
the audience's impression. form of life really belongs to the object. "Form
impact encompasses the specific submission of the form to
a particular visual impression and there is therefore the starting point for
a submission of the form, which holds certain visual
the impression, in contrast to the representation of form of being as simple
the result forms, freed from the visual impression" (ibid.
P. 87). Reinforcing this opposition, he States further: "neither the architect
neither sculptor are not artists, as long as they convey real
the form thing on its own, i.e. a simple form of being; they become artists
only when take and depict a form of influence ..." (There
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