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The reasons for this are clear. Over the years, internal experience, where bornthe artist's inspiration such was the experience that ate somesinful heat, and which opened to him the relevant aspects of things.The product is extracted from it. Now the artist's heart was cleansed,but the new experience is still weak, even infantile. The artist lostthe inspiration of bygone days. However, his mind took now great, onlynew and better moral ideas. But the question is, notwhether they are these ideas to exploit his art as a kind of substituteexperience and creative intuition was not enough deep? Thereserious risk to the works. External factors further increase this risk, for religionprovides the artist with the double temptation of simplification. On the one hand, -since religious feeling is the sense of the beautiful and noble -perhaps the temptation to be satisfied the expression of these emotions that actnow as the subject of the work or as a psychologicalphenomena (which, incidentally, is the antithesis of subordinationintuitive or creative emotions). On the other hand, the community of faith putsartist in direct communication with his companions to religionand he may now be tempted by the temptation to replace this fellowship, whichis given to him for nothing, communication, you have to pay, or even -to replace this fellowship is a unique expression of poetic intuition,provide only one skill.
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