Need Bling? Follow These 6 Instagram Accounts
New York Times-Nov. 19, 2018
Vintage pieces. ... Here are six accounts that have the jewelry industry talking. ... THE BLING Mr. Higgs calls jewelry a “capsule” for storytelling, an approach that ...
Vintage Bubbles, With (Real Gold) Baubles
New York Times-Nov. 28, 2018
One night, while watching a TV documentary on the history of Mellerio, the Parisian jewelry house founded in 1613, Benoît Collard of Piper-Heidsieck felt a ...
How A Millennial Jewelry Maker Hit Her Sales Milestone
Forbes-Jun. 25, 2018
Diament is the woman behind the jewelry line. She has made and sold jewelry for over a decade, using vintage materials rescued from shuttered manufacturers, ...
12 Estate Jewelry Lots to Stalk Now at Everything but the House
JCK-May 3, 2018
And on May 5, EBTH is hosting a sale offering some 132 lots of estate and vintage jewelry that savvy jewelers should plan to check out. The best part? Bids start ...
The scheme of the narrative-game. The scheme of reasoning. (...) The idea is impossible
"to clothe in appropriate form", because the very thought, and
the composer must master the technique of translating my thoughts to specificum
the design of their art. If he failed to do so, then no
art form; there is a form-no form, nothing
to exist" (ibid. P. 542). The idea of this distinction is clear, it is
does not allow the form to break away from the content, the implementation of which is possible only in
co-existence. From the same letter: "For Beethoven the main
a sign of monumentality was the advantage of stabilityin
structure of the instability. For six thousand years, from the first Egyptian
pyramid up to this final, this principle of monumentality, i.e. the advantage
stability is strictly maintained at all times. It is impossible to study this form as
it captures the great artists, because no one form.
How many forms, so many artistic works. In the form of important
the General scheme, and the smallest particles of its design" (There
In a letter to S. Taneeva 15 September 1909 B. Jaworski
says that phrase so often it will sound formal
literary criticism that all the works on the history of music really are
just biographical sketches (P. 562).
In the memoirs of L. Kulakovsky "Jaworski reads the manuscript"
shows an interesting record of the Jaworski. So, in the aspect
the value of rhythm, he writes: "Economisirea the value of musical rhythm
useful in streamlining the work, however, was a great COP
means of absolute governments to neutralize public activity,
so flourished the soldiers ' music, marches, music hall music,
operetta" (Kulakovskiy L., Jaworski reads the manuscript // Jaworski
B. Memoirs, articles and letters. -- -- M. I. T., 1964. P. 217). And
one thought Yavorsky on the problem of form: "form is the only
the unique reality of the phenomenon. Can't be Sonata form, a Sonata is
the scheme is form any of the Beethoven sonatas, but all forms of sonatas
Beethoven totally different; if there were two sonatas in one form, it
it would be an artistic identity, tautology, and any sound would be different
in this work from the other. It is impossible to confuse "form", "schema",
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