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It is possibleA-Anachrome high enough to rate Jaworski:"MethodJaworski is therefore much higher than any formal or physical-acoustictheories for the explanation of all kinds of structural forms in music, itshifts the center of gravity from physics to the psyche, and the mind obeyspublic" (Lunacharsky In. The presentation at the conference onthe theory of modal rhythm 5 Feb 1930 in Moscow, Yavorsky B.Memoirs, articles and letters. -- Vol. 1. -- Moscow, 1964. P. 158). Hestressed: "the Whole history of music is yavorska, nothing likechanging prevalence of various forms of musical structure, systemsthe relationship of stability and instability" (ibid. P. 166).R. Gruber indicates that B. Yavorskii created "exclusivelya coherent system of "sound gravitation" by analogy with the hypothesis of gravityworld" (Gruber R. About "formal method" in musicology // Demusica. - Vol. III. P., 1927. P.48). The impact of B. Yavorsky largely went according to unofficialchannels -- oral communication, personal letters. The actual texts are not printedso much. For example, in his letters laid the basic concepts ofform. So, in a letter to S. N. Rausova 30 April 1937, he says: "You write all the time about the shape. The shape of each artworks its unique (...) there are No similar forms (...) Ifshe repeated, then it is not a work of art, and artindustry. You write about the scheme dies; (...) these schemes-stamps wasdeveloped a particular era -- rhetorical -- for the organization of consciousnessin a certain way in a certain ideological goals of the stateformation. For the present consciousness of these schemes-stamps with their rhetoricalthe statement is a lie" (B. Jaworski, decree, Op. S. 540). From a letter to the same addressee: "the form doesn't have cells. Those cells cannotto fill in the content.
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