Tuesday, November 19, 2019

Story image for vintage jewelry from Palm Beach Post

Van Dell Jewelers-Designers

Palm Beach Post-Jul. 29, 2018
Van Dell Jewelers specializes in Custom Jewelry, buying and selling of Estate Jewelry, fine jewelry repairs of all kinds and buying and selling of all size ...
Story image for vintage jewelry from Robb Report

Old Meets New: 4 Jewelry Designers Reviving Antique Items

Robb Report-Jan. 11, 2018
One of jewelry's greatest draws is the promise that it will stand the test of time. Just think about it—there's a reason why you're more likely to inherit your ...
Story image for vintage jewelry from Today.com

Your old Polly Pocket toys could be worth hundreds of dollars

Today.com-Jan. 9, 2018
The most valuable vintage Polly Pockets were released between 1989 and 1998, when the British company Bluebird Toys still owned the brand. Bluebird ...
Story image for vintage jewelry from ArtfixDaily

Session 1 sale of the Carole Tanenbaum vintage costume ...

ArtfixDaily-Jun. 2, 2018
INDIANAPOLIS, Ind. – Session 1 of selected items from the single-owner collection of vintage costume jewelry belonging to Carole Tanenbaum – an astounding ...

1 comment:

Pearl Necklace said...

enough frequency for Yavorsky predstavlenie. Justice
it should be emphasized that, for approximately the same path,
represents the form individualisierung entity was and
B. Asafiev, who wrote, also distinguishing between the form and pattern:
"As the deposition, as the experience of fixing the sounding flow, each
a piece of music studied epoch represents an individual
the solution forms, i.e., a synthesis of various impulses,
behind this design and this character processing
material. A number of similar deposits with similar design forms
would kristallizuetsya group are identical in their schemes forms.
United by a common schema, these forms serve as role models. With
they erased an individual coloration and then there is only abstracted
the scheme conceivable material outside, it gave rise to. The scheme is identified with
distracted already by the sound the concept of shape and allows the filling of such
any material: born of the rationalist approach to music as
static spatial entity that are allocated to any scheme"
(Glebov I. the Theory of musical-historical process as the basis
a musical and historical knowledge of the Objectives and methods of study of the arts. -- P.
1924. P.72).
Heinrich Neuhaus, admiring Yavorsky, put it in
understanding and interpretation of Bach on the same level with Schweitzer. "Erudition it
incredible", -- says Mr. Neuhaus. He left us a physical description
B. Yavorsky: "What struck me immediately -- it's his appearance:
the dome of the head, the forehead beautiful, smart, as if a laughing eye with a dangerous
the light on the bottom of them, and... the most common lower part of the face, a simple nose,
large mouth, so contrary to the upper part of the face" (Neuhaus G.
Amazing, ordinary people // G. Neuhaus Thoughts, memories,
diaries. -- M., 1983. P. 296-297). Or in another place he mentions
the next important behavioral characteristic: "it was Interesting to walk with
him in the street. Across the street he was walking always straight ahead, not looking back,
a decisive step, regardless of the transport; believed that no one will knock you down"