tag:blogger.com,1999:blog-6294744150606571617.post530554442804447936..comments2024-01-16T07:07:11.166-08:00Comments on Bridal Pearl Necklace : Wedding Pearl Jewelry: Pearl Necklacehttp://www.blogger.com/profile/01857152720762307589noreply@blogger.comBlogger1125tag:blogger.com,1999:blog-6294744150606571617.post-53621388386962555792020-01-01T23:52:48.454-08:002020-01-01T23:52:48.454-08:00The scheme of the narrative-game. The scheme of re...The scheme of the narrative-game. The scheme of reasoning. (...) The idea is impossible<br />"to clothe in appropriate form", because the very thought, and<br />the composer must master the technique of translating my thoughts to specificum<br />the design of their art. If he failed to do so, then no<br />art form; there is a form-no form, nothing<br />to exist" (ibid. P. 542). The idea of this distinction is clear, it is<br />does not allow the form to break away from the content, the implementation of which is possible only in<br />co-existence. From the same letter: "For Beethoven the main<br />a sign of monumentality was the advantage of stabilityin<br />structure of the instability. For six thousand years, from the first Egyptian<br />pyramid up to this final, this principle of monumentality, i.e. the advantage<br />stability is strictly maintained at all times. It is impossible to study this form as<br />it captures the great artists, because no one form.<br />How many forms, so many artistic works. In the form of important<br />the General scheme, and the smallest particles of its design" (There<br />same.S. 543).<br /> In a letter to S. Taneeva 15 September 1909 B. Jaworski<br />says that phrase so often it will sound formal<br />literary criticism that all the works on the history of music really are<br />just biographical sketches (P. 562).<br /> In the memoirs of L. Kulakovsky "Jaworski reads the manuscript"<br />shows an interesting record of the Jaworski. So, in the aspect<br />the value of rhythm, he writes: "Economisirea the value of musical rhythm<br />useful in streamlining the work, however, was a great COP<br />means of absolute governments to neutralize public activity,<br />so flourished the soldiers ' music, marches, music hall music,<br />operetta" (Kulakovskiy L., Jaworski reads the manuscript // Jaworski<br />B. Memoirs, articles and letters. -- -- M. I. T., 1964. P. 217). And<br />one thought Yavorsky on the problem of form: "form is the only<br />the unique reality of the phenomenon. Can't be Sonata form, a Sonata is<br />the scheme is form any of the Beethoven sonatas, but all forms of sonatas<br />Beethoven totally different; if there were two sonatas in one form, it<br />it would be an artistic identity, tautology, and any sound would be different<br />in this work from the other. It is impossible to confuse "form", "schema",<br />Pearl Necklacehttps://www.blogger.com/profile/01857152720762307589noreply@blogger.com