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As thisthe communication identifies the order of material causality, it remains the only externaland indirect and are susceptible to all types of accidents; it may turndifferent and apparently opposing options. However, no matter whatexternal and indirect this connection may be, it remains a real and unavoidable. The highest moral dignity 23 can't fillthe lack of artistic merit or compensate for mediocritythe potency of art. On the other hand, it is clear that laziness, cowardice,the connivance of themselves as moral vices, arequite unfit soil for the exercise of artistic ability.The moral structure of the human subject having the kind of indirect influenceon his art. "Not the hostility of external circumstances and their ownnature is responsible for the fate of Shelley *", - writes without anyForbearance Francis Thompson 24 . A certain flaw inmoral and psychological wholeness and - as a consequence - the divisions amongsensitivity and creative ability of intelligence, or imagination,make somehow a kind of beauty in the poetry of Edgar Allan PoE or HARTCrane 25 but, however, also undermines it. Moral poison,which eventually distorts the power of vision in the end the workarounddistort and creative ability of the artist, although for some time the poison,perhaps her stimulated and aggravated. Ultimately, the work always"recognized". As for great poets, this kind of confession does not prevent themthe creatures to be great and precious, however, and in the greatnessdiscover some painful point.
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