Tuesday, November 19, 2019

Story image for vintage jewelry from JCK

Who Wants Ice Cream? Meg C Jewelry Gallery's Sweet Idea

JCK-Aug. 14, 2018
“I have always loved vintage jewelry, and I had been wanting to do a vintage jewelry trunk show with a local antique jewelry dealer for some time,” says Carroll.
Story image for vintage jewelry from Fashionista (blog)

We Wore What Is in Hot Water over Allegedly Copying Jewelry ...

Fashionista (blog)-May 7, 2018
Foundrae, a fine jewelry line that specializes in custom medallion-like chain ... and said the jewelry line was inspired by a vintage locket that she purchased at a ...
Story image for vintage jewelry from JCK

First Look: Make Fox & Bond Your Vintage Charm Jewelry HQ

JCK-Nov. 7, 2018
Fox & Bond is a great example of a young company doing their part to make estate and vintage jewelry exceptionally trendy and desirable. All of the charms can ...
Story image for vintage jewelry from JCK

Antique Jewelry: What's the Story?

JCK-Apr. 17, 2018
Serious antique jewelry collectors are motivated to acquire new pieces based on a number of factors—rarity, prestige, resale potential, the allure of owning a ...

1 comment:

Pearl Necklace said...

"The concept of rhythm should once and for all
free from the taste of musical meter size. Knew it already
ancient, highlighting and elevating the concept of Rhythm over meter" (Oh A.
Taxonomy of music-theoretical knowledge De musica. -- PG., 1923. C.
188). He begins to talk about Rhythmology, meaning by it "the doctrine of the Rhythm as
the act of art-musical tone" (ibid.P.188).
A. Oh continues the analysis of shape and in my next work
"Form as a value concept," where he emphasizes: "From a philosophical point
of view, the concept of "formlessness" is unacceptable, because the concept of "form" as
the a priori form of thinking is a necessary condition of perception and existence
or that "content"... Gnoseologically -- all "content"
-- "designed" (Oh A. form as a value concept // De musica.
-- Vol. I. -- PG., 1925. P.82).
A. Oh also proposed to separate the values in the Sciences
the nature and values of science on art. In the first case they are unambiguous and
lead us to the knowledge of the subject. "Values" of artistic symbols, as we
seen, in its essence, twofold: on the one hand, they
direct our minds to the fact, that the effect (the object), and
other-on as influences (artistic sense), and
second side effects "values", -- intonation, -- by nature
psicofisica" (ibid.With.89).
Formal analysis has attracted the attention of R. Gruber, which goes to
its performance it similar to formal literary criticism in the presentation
Victor Shklovsky, also trying to cut off all waterstove
phenomenon. "Formal method" in its pure form aims study design
the isolated art object, beyond its connection with the psyche of the Creator and
perceiving, with the public, as we now say,
"psychoterapia" era, with all the social and domestic environment. In other
words, of an unbroken chain of links connecting between a public
the background of the Creator and the perceiver, the formal method deliberately restricts your
horizons one-though Central-the link: by art
work. But considers it with a single, strictly defined, point
of view -- as a material structure