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But, of course, it is not enough just to repeat that the author has disappeared. Exactlythe same is not enough to repeat endlessly that God and man died onedeath. What really ought to do is to determinea space that due to the disappearance of the author is empty,look at the distribution of the lacunae and faults and hunt down those looseplaces and features that this disappearance uncovers. I would like to recall briefly the problems arising in connection withuse the name of the author. What is the name of the author? And how does it function?doesn't that mean it simply: to repeat in the transcendentalterms, the religious principle of the tradition, is both indestructible and nevernot executed to the end, or, on the other hand, is not aestheticthe principle of the continuation of life works after the death of the author, save iton the other side of death and his mysterious redundancy in relation to the author? I think, therefore, what is the use of the concept of the letter concludesthe risk to preserve the privileges of the author under the protection of the a priori: it prolongs- in the gray light of neutralization - game of the representations, whichformed a certain image of the author. The disappearance of the author - eventwhich since mallarmé lasts without end,- is subjected totranscendental the locking bolt. And if today is not importantthe line between those who believe it is still possible to thinkcurrent gaps in the historical and transcendental tradition of the nineteenth century, and thewho are striving to final liberation from it*?
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