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I ask myself: is this concept, sometimes regulirovanie toeveryday use, not whether it is only the transposition in the form ofthe anonymity of the transcendental - empirical characteristics of the author? Sometimeswhat have to settle for elimination of the most conspicuous tracesempiricist of the author, forcing him to play in parallel to each other, one againstfriend two ways to characterize critical and religious. And in thethe case, to give the letter the status of the original - isn't there a wayto Express the transcendent in terms of, on the one hand, theologicalapproval of his sacred character, and on the other critical statementhis creative nature! To recognize that the letter of the story itmade possible, subjected to a sort of test of oblivion andsuppression, not does it represent, in transcendental termsthe religious principle of the hidden meaning (and thus the needinterpret) - on the one hand, and the critical principle of implicitvalues, silent definitions, vague content (and accordingly -need to comment) on the other?
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