Tuesday, November 19, 2019

Story image for vintage jewelry from Vogue.com

How Stunning Antique Jewels Are Sold and Shared Around ...

Vogue.com-Feb. 7, 2019
At the Miami Beach Antique Show, I gleefully spend two days entirely indoors, .... “Italian women want things that are wearable, jewelry that is not only a ...
Story image for vintage jewelry from Forbes

New Jewelry Exhibitors Make Strong Impression At TEFAF ...

Forbes-Mar. 19, 2019
New Jewelry Exhibitors Make Strong Impression At TEFAF Maastricht .... Two London-based vintage jewelry dealers put on their annual display of exceptional ...
Story image for vintage jewelry from The Oakland Press

Vintage fashion collector brings annual pop-up market to ...

The Oakland Press-May 6, 2019
Most of the clothes Schwartz offers are made in the United States, and she sells a variety of vintage items including patterns, prints, unique designs and jewelry.
Story image for vintage jewelry from MassLive.com

From vintage goods to custom furniture, these women-owned ...

MassLive.com-Apr. 9, 2019
"My passion is vintage jewelry, anything that's blingy. I love crystals and rhinestones and the glamor," Siskind said. "The suburban towns don't have stores like ...

1 comment:

Pearl Necklace said...

In almost every period of the history of semiotic ideas theatre gives this
the development of a new and substantial impetus. This is due to the fact that the theater generates
the most spectacular type other than natural, semiotic language, to
it is a very important element of culture. The theater is also a characteristic
what is the amount multiple semiotic languages.
Additionally, we note that the theatre is usually fundamentally innovative,
he constantly attracts creative personality, which as a result
his work constantly blurs the conservatism of any established grammar
one or another direction. This constant generation of new languages in the
theatre is a powerful stimulus for practical activities and for
theoretical understanding of these activities, including the perspective
Alexander R. Kugel (1864-1928) one time speakers
on the pages of the Kyiv press under the pseudonym Homo Novus, in his theatrical
criticism leaves many semiotic observations about modern
him theatrical reality. We have already talked about the importance of theatrical
semiotics in the case of Nikolai Evreinov, therefore, the essence of theatre as
fundamentally semiotic object more will not speak.
The post-revolutionary period was full new variant of the semiotic
practice -- the generation of new holidays. At the same time power structures
tried even in these first experiments ask that do not yet exist at that time
norm. So, decoration of streets and squares, the First of may, 1918, was made
futurists. Here's what mark has this experiment saying
words of that time, or rather the myth-making of time's later:
"the question they (the futurists) have deeply affected the proletarian public, and
in the hot debates the most advanced part of her issued a strong condemnation
"the art of the left front". Strong condemnation was subjected to futurists
Lenin..." (history of the Soviet theater. -- T. I. -- L., 1933.With.126).
As you can see, an important element becomes abrupt indoctrination, which
essentially is also of semiotics. Ideology penetrates even to the circus
not recognizing things-