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In the light of the modern theory of neuro-linguistic programming, inaccording to which is dominant a particular channeleffects, you can a different perspective to these memories. Perhapswhy it is so important to E. Trubetskoy confirmation madeobservations of Russian national fairy tale located in the RussianOpera. "Prince Igor" and "Grad Kitezh" the essence of wonderful poetic elegies,caused by the feeling of powerlessness of the hero; and the best of Russian operas -- in "Ruslan"-- heroic completely immersed in the magic. Related to this is amazingno action in this Opera. Listener all the time is underthe impression of some detached from life, a distant magic of soundscharms, but at the same time lulls. Hence the absolutelythe exceptional role played by magic dream in "Ruslan". Hereevery action someone is sleeping on the stage. In the first step of Chernomorlulls all asleep in the second head, the third end without falling asleep Ratmir, inLyudmila fourth, and fifth sleeping Borislav and again Ludmila. The whole Operagives the impression of a wonderful prophetic dream, as if she aims to givea vivid illustration of the saying Vasilisa the wise: don't Kruchinina, everything will bedone, pray to God, Yes to bed to sleep. The most brilliant creations of the Russianmusic is, without a doubt, a true expression of the spirit of Russian folktale" (E. Trubetskoy, the Meaning of life. -- M., 1994. P. 428-429). Thisby the way, we passed from the visual to the verbal side and on to the music,and everywhere we, to varying degrees are usingsemiotic tools.
The rhythm is realized in the sense of symmetry characteristic of anyperformances: "all that is valuable, respectful, religious, expressed insymmetric movements of the crowd. Meetings, processions, farewells, all the ritual,stuff finally a "catcher" for a subordination of symmetry. A sense of rhythm anda sense of symmetry inseparable. How personal facial expressions of surrender and disciplinehigher, outside of us lying in the beginning is expressed in the parallelism (which issymmetry of gestures) and in mass psychology: movements General
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